I'm glad you came back!

I've learned that it's important to have something like an outline on paper — firm ideas and plot points and a final resolution– else the story can behave naughtily! But I've also learned that it's okay to have a squishy outline and to allow myself to veer outside its boundaries every once in a while. I'm still trying to work out my best approach, but I'm getting there.

I'm also bringing lessons imparted from my editor into this book, so hopefully there will be fewer overused phrases and words (etc…) when this script is finished.

Finally, I trust my instincts more.

The (partially) blind girl is one of my favorite characters ever!

Ter, I know you're leaping into book 2 now. Can you tell us what you've learned from the Last Will that you're able to apply to this new project? I'm salivating to know more about the blind girl!

It's good to see you here!

I did not use any books specifically on plotting while I wrote, but once I'd finished a draft, I looked through The Hero's Way and realized there was a scene or two I could create to bring a bit more tension to the story. Ironically, one of those added scenes was later cut — I think by my editor. Or maybe my agent made the suggestion to cut, and I did it.

Professional editors do have tricks they can offer to help improve upon a manuscript — at least mine did. Sarah pinpointed a few places in the manuscript that needed some additional tension/conflict involving some characters, but then she pretty much left it to me to figure out what that tension should be. She had some tightening suggestions as well. She also had an amazing eye for overused words and phrases, and in general helped me to apply a rich polish to the finished work. I remain very grateful for her expertise.

Best of luck with your work!

When I get there, I'll take loads of pics and share them on WU — promise.

You're very welcome, and I wish you the best of luck!

You've often helped me with words of inspiration over on WriterUnboxed.

As an aspiring novelist, of course you can find me at the Borders often looking for writing craft books.

Just wanted to know if you used any books on plotting, in particular, when you were writing your book. If so, which ones.

And what's it like working with a professional editor? Are they full of tricks to spruce up your story (to make it tighter, add conflict, etc., etc., things like that.)

Thanks, and again congrats on the novel.

Dwayne