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Do you know any parents whose children have been diagnosed with late-onset hearing loss?

If so, I’d like to introduce you to Krysty Krywko, a mom and education expert whose son was almost three years old by the time he received his diagnosed of late-onset hearing loss.

Krysty soon learned that  there was a tremendous gap between her son’s development and that of other three-year olds.

When her son was first tested for speech and language development, he tested at the level of an eighteen-month old – potentially devastating news for any parent.

This month, Kysty’s son is five years old, and after spending the past two years at the Clarke School for Hearing & Speech in Manhattan, he joins a mainstream kindergarten class.

And, like one diagnosis wouldn’t be challenging enough for any family, Krysty was also diagnosed with hearing loss shortly after the birth of her son.

Kysty is launching her first e-book today, What To Do When Your Child Is Diagnosed With Late-Onset Hearing Loss: A Parent’s Perspective. Kysty’s e-book offers a “from the trenches” perspective that will walk parents whose child is diagnosed with late-onset hearing loss through the emotions involved from the moment of diagnosis.

I hope you will share this valuable resource with any parents you know, when you learn that their children have been diagnosed and they need a veteran parent’s perspective. Thanks so much for your support.

Krysty, it sounds like you first realized that late-onset hearing loss might be a topic that other parents would want to learn more about when it started to happen in your family — twice. What was that like?

It really hit me completely off guard – both times! With my son I honestly thought he just had a speech delay, at the time I never made the connection between hearing loss and a speech delay. It of course seems so obvious now. With myself I knew I was having some difficulties hearing, I started noticing it shortly after the birth of my son, but again thought it would be no big deal.

In the beginning with my son it was pretty devastating – it’s just really difficult to have someone tell you that something is not right with your child’s development.

As you responded to your son’s and then your diagnosis, what stands out that you learned that you think other parents will want to learn more about?

The main thing that stands out is really that hearing loss can happen to anyone at anytime and that there shouldn’t be a stigma attached to wearing hearing aids, or other devices. It is estimated that there are about 29 million people in the United States who are deaf and/or hard of hearing. If people were made more aware of the importance of hearing then I think you would see more of them going for appropriate treatments and would see more assistive listening devices, such as hearing aids, being worn.

What’s typically the biggest dilemma for families after there has been a diagnosis in the family of late-onset hearing loss?

I am not really sure if you can call it a dilemma, but the biggest issue revolves around the family accepting the diagnosis and moving forward with getting their child the help they need – whether that road leads to hearing aids, cochlear implants, Baha devices, along with an intensive therapy program. Around 90 percent of children who are diagnosed with hearing loss are born to hearing parents. This means that those families often have not had any exposure to children and/or adults who have hearing loss. At the moment of diagnosis while there is some relief to understanding your child’s development there is also a feeling of complete devastation. This feeling is based in frustration and stems from simply knowing very little about hearing loss and how it will impact their child. I wrote my e-book to address this issue of frustration and helplessness and I really think it will help parents adjust to parenting a child with hearing loss.

If you were sitting down face-to-face with parents of a child who had just been diagnosed with late-onset hearing loss, what would you say to them?

First of all I would tell them to grieve, that it’s okay. That is what they need to do, to experience their feelings and emotions. Then I would tell them that it is going to be okay. That there are strengths within both themselves and their child that they don’t even know about yet and the important thing is to get their child the therapy and assistive listening devices that they need to be successful.

Which part of spreading a helpful message about late-onset hearing loss is your favorite part of the process?

My favorite part of the process is when I get the chance to help clear away some of the myths about hearing loss. There is absolutely no shame in losing your hearing – it’s just life. Hearing loss can happen at any age. In my opinion, the wearing of hearing aids or cochlear implants to correct your hearing loss is no different than wearing glasses to correct your vision loss.

Have there been any silver linings in your journey in dealing with late-onset hearing loss as a family?

The first silver lining has been watching my son blossom. There were many times, both pre-diagnosis and in the early stages after his diagnosis, when I honestly wondered if I would ever really know anything about my son. How could I access his thoughts if he wasn’t able to speak? But today, I am so thankful that he is now able to share his wicked sense of humor and his daily observations of his world with us. The second silver lining is the fact that we have really been given an opportunity to help educate those who are not familiar with issues of hearing loss.

You can learn more about Krysty’s helpful, comforting book, What To Do When Your Child Is Diagnosed With Late-Onset Hearing Loss: A Parent’s Perspective at her website, Krystyann Krywko, Ed. D.

Thanks for helping me support Krysty’s e-book launch. I’d love it if you’d help spread the word about What To Do When Your Child Is Diagnosed With Late-Onset Hearing Loss: A Parent’s Perspective.

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Winners of a 1-Hour Platform Power Phone Consults Are…

In case you have not heard, every person who pre-orders my book between now and December 5th, will receive a pre-order bonus of some kind.

Over the summer, I offered the first fifty pre-orderers a chance to win a free one-hour platform power phone consult with me, which is regularly a $199 value, unless you are a former student, and then it’s half of that.

This month, if you pre-order, you will receive a complimentary copy of my e-book, Author Mama, How I Became A Published Author & How You Can Too (I shared the details of the offer yesterday in a blog post).

And so, without further ado, here are the three winners of the free one-hour Platform Power Phone Consult:

Zahie El Kouri

Sarah Lindsey

Angela Stevens

Thanks to everyone who participated in the drawing!

I sure do appreciate your support. 🙂

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I am having fun with these pre-order promotions for The Writer’s Workout. What’s amazing is that so many people are willing to plunk down their money for my third book when Writer’s Digest hasn’t even released the final marketing copy yet.

You guys are awesome! I so appreciate all of your support!

Last month, I held a drawing for people to enter to win a free one-hour phone consult with me. I will announce those drawing winners on September 6th. Best of luck to our pre-orderers! (Winner’s receive a $199 value free!)

For September, I thought I would take this opportunity to share my e-book, Author Mama, How I Became a Published Author & How You Can Too with folks who pre-order The Writer’s Workout any time in September and e-mail me the receipt to katz christina at comcast dot net.

And good news! The Writer’s Workout is now available for pre-order at more retailers than last time I announced a pre-order promotion. You can now pre-order from:

Amazon

Barnes & Noble

Powell’s

Quick FAQ’s:

Can I still enter the drawing for the hour of free phone coaching if I pre-ordered the book before August 31st but forgot to e-mail my receipt?

Sure. Just e-mail me the receipt to katz christina at comcast dot net by midnight September 5th.

I have pre-ordered the book since September 1st, can I still get my copy of Author Mama?

Sure. You can get your complimentary copy of Author Mama by sending me your September receipt any day in September up until midnight September 30th.

What if I pre-ordered The Writer’s Workout in September but I already have a copy of Author Mama?

No worries. You can gift your complimentary copy of Author Mama to anyone you like. Just send me their name and e-mail address when you send me your receipt for The Writer’s Workout.

Ready to get your free copy of Author Mama, How I Became A Published Author & How You Can Too? I sure hope so! Just e-mail me your receipt for pre-ordering The Writer’s Workout. Coming December 6, 2011!

Seems worth mentioning that The Writer’s Workout is a terrific holiday gift to give yourself. Be among the first to get a copy!

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Ten Things That Set My Platform Advice Apart

If you purchase the new September Premium Kit “Build Your Platform” from Writer’s Digest, you’ll see that my thoughts on platform have evolved and deepened since the release of Get Known Before the Book Deal, Use Your Personal Strengths To Grow Your Author Platform, which came out in November 2008 when there were like, you know, ten posts online about author platform.

I have learned a lot working with hundreds of writers over the past ten years, and also from writing many articles on platform and a new book, The Writer’s Workout, which covers the topic at new depth.

Here’s a round-up of ten things you are going to get from me as a platform instructor. You will find that these are the hallmarks of all of my teaching on platform building, regardless of the form or format, so long as the topic is how to develop and grow an author-worthy platform.

1. Experience. I am an author, a freelance journalist, a teacher, a speaker, and a trainer, so I’m not just talking about platform hypothetically…I’m living it. My career has grown steadily and continues to gain momentum, across forms and formats. I have many people to thank for this, but I also credit my consistent platform-building efforts.

2. Context. I never talk to writers about platform without taking into account their particular audience of readers. What works for one writer won’t necessarily always work for another. You want each interaction to be authentic, whether live or virtual, to ensure that your efforts will be enriching for everyone involved.

3. Commonality. On the other hand, there are several things that will work for most any writer when the writer stays present and in the process. I know what those touchstone steps are and I encourage writers to work on them to help activate your platform confidence.

4. Incremental growth. Platform building is an initiation of sorts. It can be counter-intuitive for some writers at first. Most writers learn incrementally, as they go along, just like they would learn anything whether it be craft or selling or growing a niche. Some writers relax more quickly into letting platform be a process.

5. Experiential progress. Nobody else knows about your platform better than you because nobody else lives in your skin. This doesn’t mean that some writers don’t sometimes make rookie moves. Sure they do. We’ve all made them. But you need to learn to steer your platform ship in win-win-win ways that address basic human desires and needs.

6. Your “dynamic.” In Get Known I talk about the definition of platform being what you DO with your expertise. And in my new self-study course, Build Your Author Platform, and in my new book, The Writer’s Workout, I share how to maximize the best of what you do until it becomes habitual. I call this your platform dynamic. Do you know what your platform dynamic is? I help writers find theirs.

7. Growing respect for your waxing expertise. Of course, your expertise may be writing best-selling mystery or romance novels–it really doesn’t matter what your expertise is. The point is that you grow your expertise into something mighty, the way the acorn becomes the mighty oak…eventually. You might feel disappointed in the response if you act like a mighty oak when your professional experience level is more like that of a sprout. (Conversely, you don’t want to act like a sapling if you are already a mighty oak.) Be where you are.

8. Write across genres. Platform isn’t only for nonfiction writers. It is important for every genre writer. Since nonfiction writing and copy writing are generally the most important method you can use to communicate who you are and what you do, every writer needs to become a multi-faceted writer, who can write across any genre.

9. Stand on your own two feet. When I work with writers, I expect them to grow their own platforms, not borrow other people’s platforms or piggy-back their platform caboose on somebody else’s platform train. I want to see what each writer can do, not encourage him or her to mimic others. Patience is any platform builder’s greatest virtue.

10. Envision your creativity as service. What matters is that you know what your expertise is, you communicate it concisely, and that you grow whatever you already offer into something cool that impacts others. If you did nothing beyond these simple things, you would become extremely successful in a fairly short time (when I say “fairly short time,” I always mean years, of course).

Platform is not something you dabble in. But it’s not something that needs to be hyper-analyzed, either. It won’t really matter what’s going on in the world at the time you embark on yours; it only matters that you begin so you can start making platform-aware choices.

I hope you will check out the tools that my colleagues from Writer’s Digest have created. I feel proud of the work we have done. And I think you will really appreciate them, too.

Feel free to contact me if you need more information or have questions.

Happy platform-growing, writers!

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A group of my husband’s theater kids from Les Miserableslast year are on The Sing-Off on NBC beginning Monday, September 19th.

Don’t know my husband’s name? That’s funny because a lot of people around here don’t know my name either. They prefer to refer to me as “Mr. Katz’ wife.”

As in, “Hey, arent’ you,”…wait for it…”Mr. Katz’ wife?”

During the pause, I just usually offer, “Mr. Katz’ wife? Yup, that’s me.”

For the record, his name is Jason Katz. Otherwise known as, “Samantha’s dad.”

Anyway, back to the big news.

If you are friends with me on Facebook, you know that I spent a lot of time and energy last fall helping my husband with his production of Les Mis at Wilsonville High School.

And now, WHS’s a capella singing group (composed of all but about three kids from the cast of “Les Mis”) are going to perform on “The Sing-Off.”

If you watch the show, you will see what I was raving about on Facebook all last fall—the talented kids who played Jean Val Jean, Javier, Cosette, Eponine, Marius, and more.

Pretty cool, right? These are some pretty talented kids. But they weren’t just “born that way,” they have worked hard to cultivate and develop their abilities. Their regular rehearsal time was before school started last year. How many high school students do you know who are so motivated they would get out of bed and come into school early to rehearse?

And here’s the craziest part: they are the only high school a cappella group on the show. Everyone else is either a college student or an adult. So, I don’t imagine that they will necessarily win (especially since my alma mater’s male a capella group–the Dartmouth Aires–are participating and they are always AMAZING). Nobody knows how far they made it, the show was taped and they are not allowed to tell, so we are excited to watch and cheer them on.

Hope you can watch, too. Here’s an inspiring video preview of the show:

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What would you be willing to get up early for? Could you handle the pressure of this kind of exposure? It’s easy to think you would and you could. But would you? Could you? Think about it.

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Happy New Year! “The Prosperous Writer” Returns

I always think of September as the beginning of my work year.

With the harvest and back to school and the fresh chill in the air, it just feels to me like time to start anew…even though I’ll start anew with everyone else on January 1st, as well.

This year, September is exciting because it marks the time to revive my e-zine The Prosperous Writer. Hooray! Stay tuned to your inbox. It’s coming soon.

It’s time to plan classes and Dream Teams for the remainder of the 2011-2012 school year.

Time to plan the festivities to accompany my third book launch in December.

And time to kick off the Northwest Author Series at the Wilsonville Public Library.

And I have lots of surprises up my sleeve this fall. Subscribe here for the e-zine if you want to be the first to hear about them.

I just love fall, inwardly and outwardly. Do you?

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I am honored to be part of the latest Premium Collection from Writer’s Digest. Build An Author Platform is a kit that includes nine tools for discovering, developing, and expanding your author platform. Writers in any genre will benefit from this exclusive one-month only offer that contains a wealth of platform tools and guides for only $119.99.

The kit includes my brand new self-study course Build Your Author Platform. Here’s the course description: Learn how to establish and, more importantly, sustain an engaging and dynamic presence among your fellow writers; develop a devoted following of readers; identify and capitalize on your unique areas of expertise; and more. With this exclusive course, you’ll be able to make yourself — and your work — stand out.

And that’s not all! The collection also includes my popular book, Get Known Before the Book Deal, Use Your Personal Strengths To Grow An Author Platform and a digital issue of the May/June 2009 issue of Writer’s Digest, which contains my article, “Build Your Power Platform.”

The collection also includes webinars with Jane Friedman, Alice Pope, Tim Beyers, and a tutorial with Robert Lee Brewer.

Who should buy this collection?

Anyone who wants to become fully informed before spending valuable time and energy on platform development.

Also anyone who is ready to put what they learn into action because my self-study course, Build Your Author Platform, will help writers in any genre discover and develop a meaningful platform.

Finally, this collection is a great way to cut through the online noise, so you can hunker down, dig deep, and make some serious platform strides.

The Writer’s Digest Build An Author Platform Premium Collection goes on sale on Thursday, September 1st. Only 100 collections are available and only during the month of September. You can check it out here.

Thanks for letting me know what you think!

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Time To Purchase Your 2012 Writer’s Market!

Wow. I am really impressed with the 2012 Writer’s Market. There are so many things that I like that I will just list them. Here goes:

I appreciate Robert Lee Brewer’s level tone throughout the book. And I quote, “While the changes [in the industry] can seem dizzying at times, I’m sure of one thing: There will always be a need for engaging and talented freelance writers.”

I think a level, realistic tone is becoming increasingly hard to come by, but you’ll find it at the heart of the entire 2012 Writer’s Market and especially in Robert’s article “The Uncertainly Brave New World.” (43-46)

Don’t miss Marc Acito’s feature on “Perfect Pitch: Pitches That Never Fail.” Not only do I just enjoy reading anything Marc Acito writes, I felt inspired to be a better pitcher after reading this helpful and lighthearted advice. (pp. 27-33)

I enjoyed the “Build A Platform: Or You’ll Miss The Train” feature by Jeff Yeager. Jeff is so funny and easy to relate to that every writer should really read this article to see how to get those qualities into what you write. He put lots of great storytelling techniques into his article and gave some good advice about platform building, as well. (153-161)

Make sure you catch Robert’s interview with Jane Friedman, “Social Media Master Shares Secrets To Success.” The lead is very clever and Jane offers up some great tips, as always. (pp. 188 – 194)

And you simply must read Robert’s interview with Chuck Sambuchino because…well, there is some big, fat news in there, if you have not heard it already. Really, really big news. Go, Chuck! (pp. 195-200)

I’ve already mentioned that I am featured in Kerrie Flanagan’s article on “The Art of Promoting.” Here’s a quote that reflects something I can’t say often enough, “Consistent and constant self-promotion are key to publishing success, regardless of whether you self-publish or traditionally publish…it’s not any one self-promotion technique an author uses, it’s using all of them.” (pp. 169-172)

And now for the scavenger hunt portion of this recommendation. See if you can find a teeny-weeny, computer chip sized photograph of me somewhere in your copy of Writer’s Market. Let me know in the comments if you can find it!

And happy writing for publication, writers!

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I’ve been feeling really grateful lately towards all of the folks who have helped me with my writing career thus far.

I can’t thank them all here because there are an awful lot of them (the proof is right here).

But I can thank them categorically, at least.

I need to do something with all of this gratitude I am feeling.

Thanks to…

  • My husband and daughter
  • My students
  • My writer buddies (in real life and online)
  • My mentors and teachers
  • My editors
  • My parents and family
  • My readers
  • The folks who help with and attend the Northwest Author Series
  • The folks who inspire me over at our Writers on the Move FB group
  • Writer’s Digest folks
  • Jane Friedman
  • Amazing women writers past and present
  • Fellow author mamas
  • Our pets
  • And everyone who has touched my life in any kind of inspiring way over the past twenty years while I’ve been building a writing career from the inside-out

I really appreciate you. Thank you for every little act of generosity.

I feel like this is going to be a really awesome school year.

I cannot wait for it to get started…

~ Photo by mtsofan

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Fun? Forget The Wizards & Get Back To Your Own Work

I’ve been hearing a lot online about how work should be play and we should all be having more fun, especially on social media.

So are we all having fun yet?

I think everyone has good intentions in spreading these messages. I don’t think anyone is trying to make anyone else — who may or may not be feeling like their work is play — feel badly.

But these fun-fun-fun messages might make you feel badly if:

  • You are just getting started in your writing career
  • You are overwhelmed by the complexity of choices available to advance your career
  • You don’t yet feel confident in your ability to write well
  • You don’t yet feel confident in your ability to use social networks
  • You are still trying to find your regular work rhythm
  • You have no idea which parts of your day are supposed to be “fun” parts that everyone else is talking about
  • You feel guilty because the parts of your day that are fun for you are not the same parts that others seem to think are the most fun

The biggest problem today is that writers are going to be mightily confused if they try to follow the media-worship du jour as an indication of where to set your sights for success. Until now, writers tend to set their goals according to what the media tells us we should want. (This is a destructive cycle in and of itself but one that is tough to avoid in our society.)

In the old days, we all wanted a traditional book deal (usually before we were ready). We wanted to go from anonymous to best-selling, internationally known author because that’s the pipe dream that the media always fed to us. Writers who got book deals and were then on track to a concrete goal and (hopefully) future fame, were ecstatic to have a towering but concrete goal.

Then, the blog-to-book-deal became the ultimate goal. Blogggers flooded online hoping to become the next Dooce or Brogan phenom. I think most bloggers have figured out by now, just as most traditionally published authors have also figured out, that’s it’s far better to create your own modest success rather than try to be someone else or covet their success.

These days, a self-published book that hits a million sales and garners a traditional deal a la Amanda Hocking sounds just fine to those who are looking to the Internet for their daily dose of advice. And there are plenty of online gurus to supply this kind of fluffy, you-can-go-from-zero-to-hero and make it big-big-big kind of baloney.

But what I want to say is this:

Your fun IS your work. Your work IS your fun.

The truth about most beginning writing professionals today is that we don’t even know what we are hoping to create yet. We are creating careers, but even we don’t know, in the big picture, where we are going with all this.

And this is perfectly okay, as long as you are developing legitimate communications skills and finding whatever your own momentum is supposed to look like. Because once you start to become more confident that’s when the fun starts to kick in.

But if you are not doing your work because you are so busy with  fan worshiping and guru following, you can’t possibly be having any real fun. Or if you are, it’s the kind that is going to give you a major hangover when the ride is over (especially if you are giving your power away).

Because that nice, shiny guru, who told you that you could make it big if you just did this or just did that is going to turn out to be like The Wizard in the Wizard of Oz, just some schmoe who blew in on a balloon from Kansas and decided to set up shop.

So, if you want to have fun — real fun, creative fun, and not the guru-adoration kind. Then forget the wizards and get back to YOUR work. That’s where the fun is. That’s where it’s been hiding all along.

Avoid the people who want to help you to become a household name overnight. Instead just try to become a name in your own house first. Then take it one step further, one day at a time. Because that’s the kind of success that lasts and has integrity.

So, be like Dorothy. Forgive yourself if you’ve gone on any guru- or latest-greatest innovation misadventures and settle down, settle in, and get back to yourself and the cultivation of your own potential.

Slow and steady gets the writing done.

Slow and steady learns the skills.

Slow and steady builds the writing career that is going to last.

And remarkably, slow and steady really is the fun that you might be looking for somewhere else.

Because fun begins at home. And there is no place like home…just like Dorothy said.

~ Team Jenkins

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